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Don’t look down! Lightbulb-changers on Clifton Suspension Bridge: Beezer’s best photograph

7 janvier 2026 à 16:17

‘I have outtakes of them all standing up – there’s no safety equipment and they’re not hanging on to anything. They just said to me, “Hurry up, Beez!”’

At the age of 12 I was working for the Clash, handing out flyers. I looked older than I was and got to see all the punk bands before getting into reggae sound systems. Multicultural Bristol was a great place to grow up, and by the time I was 14 or 15 I’d be going out late most nights and coming home mid-morning.

Having failed the entrance exam to be a gas fitter, I enrolled on an audio-visual course – one of Thatcher’s new National Training Initiatives. I specialised in photography and started documenting all those nights out – my friends and the scenes I was already part of – offering an insider’s perspective. Photography also gave me an opportunity to explore new environments. If there’s something you’re not sure about, a camera is a good way to have a look at it, be part of it, and then learn from it.

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© Photograph: Beezer

© Photograph: Beezer

© Photograph: Beezer

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