Going beyond the well-worn stories of division, the Irish photographer depicts young people trying to live normally in the shadow of violence

When riots broke out in Belfast in 2021 between mainly young loyalists and republicans, Irish photographer Hazel Gaskin asked herself: why does the world only see Belfast’s young people through stories of tension, division and violence? So, in the wake of the riots, she spent four years visiting the city, documenting youth clubs, boxing gyms, dance groups and teenagers hanging out on the street. “I learned these kids are just being normal teenagers,” says Gaskin. “There are experiences that are different – they come from areas with a lot of historic violence. But people are going about their everyday life. It’s very normal.”

The photos in her new book Breathing Land (the title lifted from a line in Seamus Heaney’s poem Tate’s Avenue) were taken across Belfast, including Alliance Avenue in north Belfast, and between the nationalist Falls Road and unionist Shankill Road in west Belfast. She mainly focused on less affluent areas, where peace walls and peace gates still separate communities.