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Guián review – celebration of multicultural identity through a Chinese grandmother in Costa Rica

12 janvier 2026 à 08:00

Director Nicole Chi Amén embarks on a journey to learn more about her own mixed cultural heritage after the death of her Guangdong-born grandma

Nicole Chi Amén, a Costa Rican woman of Chinese descent, has always been on the outside looking in. The opening scene of her moving debut feature replicates this predicament visually: her face pressed against a metal barricade, she looks through a hole in the opaque facade with interest. The camera is observing, too, and the sight of a house being torn down gradually comes into view. This was once the home of her maternal grandmother, a Guangdong native who emigrated to Costa Rica more than 60 years ago. Conceived in the aftermath of her passing, Amén’s film probes the fragility as well as the resilience of cultural heritage as she embarks on a journey of self-discovery.

Since neither Amén nor her grandmother speaks the other’s native language, a barrier looms large in their relationship. Even “guián”, the name Amén used to call her grandma, is a linguistic hiccup; the word refers to a paternal grandmother in the Enping dialect, a variation of Cantonese. In fact, miscommunication surrounds Amén wherever she goes. In a revealing sequence stitched together from various taxi rides, she is constantly queried by drivers confused by her multicultural identity. Seemingly innocuous, their prying betrays startling ignorance and racist prejudice. The same situation recurs when she travels to Guangdong to get closer to her roots, only this time the people asking these questions look like her.

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© Photograph: True Story

© Photograph: True Story

© Photograph: True Story

A new start after 60: I adopted a Guide Dog mum – and found true love, community and confidence

12 janvier 2026 à 07:45

After her husband died suddenly, and her children left home, teacher Helen Smith started to question everything in her life. Then a radio programme about a shortage of Guide Dogs gave her an idea

Helen Smith was cleaning her bathroom and listening to the radio, some time after the pandemic, when a story came on about a shortage of guide dogs. The pandemic had made it hard to breed puppies. One vision-impaired owner faced a two-year wait for a new dog. Knowing the importance of her own relationship with dogs, Smith was overcome with sadness for him. Right then, she thought, “Well, what am I going to do with the rest of my life?”

She was living in the south of Hesse, in Germany, having moved in 1998 from Shropshire for her husband’s work. Their daughters were nine and three. The family settled. They got a dog. Smith found tutoring work and started a business teaching English.

Tell us: has your life taken a new direction after the age of 60?

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© Photograph: Guide Dogs

© Photograph: Guide Dogs

© Photograph: Guide Dogs

March of the penguins: the Golden Globes red carpet marks the return of the staid black suit

12 janvier 2026 à 07:45

The performative male was over at the 2026 Golden Globes, where even risk-takers like Timothée Chalamet, Jacob Elordi and Jeremy Allen White did little to temper the black tie stuffiness

Timothée Chalamet was the final clue. As he arrived in good time on the Golden Globes red carpet, the star of Marty Supreme put pay to speculation as to whether the chromatic marketing of the film’s ping pong balls would have him wearing orange. Instead, he wore a black T-shirt; vest, jacket and Timberland boots with silver buttons by Chrome Hearts, souped up with a five-figure Cartier necklace. Kylie Jenner, his partner and sartorial foil, was nowhere to be seen. The reaction was generous, and broadly uncritical. Still, if we thought the penguin suit had gone extinct, we were wrong. The performative male is over – welcome to the return of the staid black suit.

There were exceptions, but it was down to the women. Bella Ramsey wore a Prada suit tied with a pink bow that was positively shocking. At her very first Golden Globes, Chalamet’s co-star Odessa A’zion went for a monochromatic trouser suit of sorts with a froufrou vintage Dolce & Gabbana jacket and satin gloves. A nice bit of era-dressing came from Sinners star Miles Caton’s chestnut pinstripe suit by Amiri. Still, the usual flies in the ointment – Jacob Elordi, Colman Domingo and Jeremy Allen White – towed the line in contemporary twists on ye olde tux by Bottega Veneta, Valentino and Louis Vuitton respectively. Between them, Globes newbie Dwayne Johnson and red carpet veteran Leonardo DiCaprio did little to temper the black tie stuffiness.

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© Composite: Guardian Design

© Composite: Guardian Design

© Composite: Guardian Design

Flying foxes die in their thousands in worst mass-mortality event since Australia’s black summer

12 janvier 2026 à 07:29

Volunteers found thousands of dead bats at Melbourne’s Brimbank park, wildlife expert says

Thousands of flying foxes have perished in the heatwave that scorched south-east Australia last week, the largest mass mortality event for flying foxes since black summer.

Extreme temperatures resulted in deaths in camps across South Australia, Victoria and New South Wales. Grey-headed flying foxes, listed as vulnerable under federal environment laws, were the most affected.

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© Photograph: Night Bat Clinic

© Photograph: Night Bat Clinic

© Photograph: Night Bat Clinic

Publishers fear AI search summaries and chatbots mean ‘end of traffic era’

12 janvier 2026 à 07:00

Media bosses expect web referrals to plunge and want journalists to emulate content creators, report finds

Media companies expect web traffic to their sites from online searches to plummet over the next three years, as AI summaries and chatbots change the way consumers use the internet.

An overwhelming majority are also planning to encourage their journalists to behave more like YouTube and TikTok content creators this year, as short-form video and audio content continues to boom.

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© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

Sorry, Trump and Farage – London is no lawless ‘warzone’. Violent crime is lower than ever | Sadiq Khan

12 janvier 2026 à 07:00

Reform’s new candidate for mayor claims people pity Londoners for living in an unsafe capital. But the evidence is clear: we’re making our streets safer

Last year, something extraordinary happened in London. As the conversation about crime got even louder, London quietly reached the lowest per capita homicide rate in its recorded history. Even London’s harshest critics have to accept this is impressive progress.

For too many, it will no doubt come as a surprise. In recent years, politicians and commentators have sought to spam our social media feeds with an endless stream of distortions and untruths – painting a dystopian picture of a lawless place where criminals run rampant.

Sadiq Khan is the mayor of London

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© Photograph: Guy Bell/Shutterstock

© Photograph: Guy Bell/Shutterstock

© Photograph: Guy Bell/Shutterstock

‘Act of family vengeance’: French defamation case highlights perils of writing autofiction

Complaint against Cécile Desprairies over Nazi collusion novel alleges that ‘resentment permeates the entire work’

The Polish poet Czesław Miłosz is famously credited with the line: “When a writer is born into a family, the family is finished.” In contemporary European literature, a book these days is often the beginning of a familial feud. With thinly disguised autobiographical accounts of family strife undergoing a sustained boom across the continent, it can increasingly lead to family reunions in courtrooms.

Such was the case with the French historian Cécile Desprairies, who on Wednesday was sued for defamation by her brother and a cousin over the depiction of her late mother and her great-uncle in her 2024 novel La Propagandiste.

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© Composite: pr

© Composite: pr

© Composite: pr

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