From ‘future star’ to ‘traitor’: How Trump’s MAGA warrior Marjorie Taylor Greene lost the president
After months of tension on everything from Epstein to inflation, Trump breaks up with his former die-hard ally

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After months of tension on everything from Epstein to inflation, Trump breaks up with his former die-hard ally

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Islam Makhachev moves up to welterweight to challenge Jack Della Maddalena for his belt, having given up the lightweight title earlier this year

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The government can’t build 1.5 million homes without addressing skills shortages, cross-party MPs say

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Benn secured a decision win over Eubank Jr in their rematch, dropping his rival twice in the final round

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Camille Meyer and Kelsey Grammer finalized their divorce in 2011

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Sinner saw his hopes of ending 2025 as world number one ended by Alcaraz this week, but with one final act to play out, the Italian will aim to exact revenge in front of a home crowd

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Sheriff and Coast Guard scour the Central Coast as severe weather hammers the state

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Alcaraz and Sinner meet in the ATP Finals for the first time and look to complete dominant seasons in style after each winning two grand slam titles

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Greece 3-2 Scotland: A wild game ended in defeat but Steve Clarke’s side can still qualify automatically for the World Cup with victory over Denmark on Tuesdsay

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Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show
Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them.
Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre where he’s playing a concert later on, and then for the next hour, and with fans pretty much always swarming around him, he wanders through the city with his guitar for various encounters, some planned, some (supposedly) not.
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© Photograph: Courtesy of Netflix 2025 ©

© Photograph: Courtesy of Netflix 2025 ©

© Photograph: Courtesy of Netflix 2025 ©