Zaghari-Ratcliffe made clothes for her daughter while waiting for her eventual release. Now, the idea of creativity as a form of resistance is the theme of a new collaboration between London’s Imperial War Museum and the fabric department of Liberty.

When Nazanin Zaghari-Ratcliffe returned home to London after six years of arbitrary detention in Iran, she brought back with her a small patchwork cushion. Pieced together from scrap material and made with the single sewing machine available in the prison, it was the product of a communal craft circle.

“It’s something very, very precious to me,” she said. So precious, in fact, that she has worked on a new collaboration between London’s Imperial War Museum (IWM) and the fabric department of Liberty, creating three new prints that explore experience as a prisoner.

The match between Aryna Sabalenka and Nick Kyrgios opens up a direct channel between the BBC of old and a world of toxic internet hatred

It’s always best to take a sceptical view of the constant flow of BBC-bashing newspaper stories, which are often simply bogus outrage expressed for commercial gain. Even the war-on-woke, cod-ideological stuff – Clive Myrie INSISTS hamsters can breastfeed human robots – the bits that make you want to smear your face with greengage jam and weep for England, our England, with its meadows, its shadows, its curates made entirely from beef. Even these come from a hard, transactional place.

Basically, it’s the licence fee. The BBC is free at the point of delivery, but paid for by a national levy. The BBC is also a direct commercial competitor to every other form of legacy media, all of which are trying to find ways to survive and recoup revenue.

Clashes between rival factions are the culmination of a long-running feud involving claims of racism

It should have been a night for Crystal Palace supporters to savour. About 1,500 officially made the trip to Strasbourg for their second away match of the Conference League group stage last week, although plenty more had gathered in the pretty Alsatian city famous for its expansive Christmas market.

Yet while most were enjoying being part of Palace’s first European campaign after May’s FA Cup win, “a tiny majority” – as the club’s statement the following day described them – had different ideas. Footage of bottles and chairs being thrown as two rival groups of supporters of the same club clashed before the game in one of the city’s squares went viral on X. “Palace fans fighting each other in Strasbourg,” read the message, not surprisingly sparking widespread confusion.

In 2020 Steve Thompson revealed he could not remember winning the Rugby World Cup and since then his case and others have been caught up in a warren of legal argument

The Royal Courts of Justice are a warren. They were built piecemeal over 125 years of intermittent construction, wings were added, blocks were expanded and then joined by a web of twisting staircases and long corridors. You navigate your way to whichever corner of it you have business in by checking the tiny print on the long daily case lists that are posted in the lobby early each morning, when the building always seems to be full of people hurrying in the other direction. For the last three years, three separate sets of legal action about brain damage in sport have been slowly making their way through here, lost in the hallways.

One is in football, one is in rugby union, one is in rugby league. The same small firm, Rylands Garth, is behind all three. Sometimes these hearings take place in the modern rooms of the east block, where the carpet is peeling and the roofs are gap-toothed with missing panels, and sometimes they take place in the cold old stone rooms off the great hall, which are wood-cladded, and contain rows and rows of heavy leather-bound books. Progress is slow. Events often go unreported.

The actor, who starred as a Marxist academic in the acclaimed 2006 play at the Royal Court, remembers an astonishing writer of ideas and elegance

By the time I was cast in Rock’n’Roll in 2006 I had been following Tom for years. I saw Rosencrantz and Guildenstern Are Dead when it came to London in 1967 with the wonderful Graham Crowden as the Player King. It was a big sensation. The Real Thing was a great play and Arcadia was extraordinary.

Rock’n’Roll was w at the Royal Court in London by Trevor Nunn and starred Rufus Sewell as Jan, a Czech student who returns to Prague in 1968. I played Max, a Marxist academic. It was a fascinating experience, because there were two plays there: the play about Sappho, the Ancient Greek poet, and the play about the Soviet takeover in Czechoslovakia.

[Deal du jour] Comme disait Lamartine : « Un seul être vous manque et tout est dépeuplé »… surtout quand il s’agit d’une borne d’arcade, Ces dernières ayant disparu progressivement, laissent derrière elles un petit vide difficile à combler. Alors quand l’une d’elles apparaît en promotion, pourquoi ne pas enfin en installer une chez vous ?